Friedel, Helmut, and Tina Dickry. “Hans Hofmann. (Review).” American Artist. SEPT 1999: 88.
http://find.galegroup.com.ezproxy.bpl.org/itx/infomark.do?prodId=EAIM&userGroupName=mlin_b_bpublic&version=1.0&type=retrieve&docId=A58527424&searchType=AdvancedSearchForm
Marter, Joan. “Negotiating Abstraction Lee Krasner Mercedes Matter and the Hofmann Year.”
Woman’sArtJournal.Fall/winter2007:3539.http://vnweb.hwwilsonweb.com.ezproxy.bpl.org/hww/results/results_common.jhtml;hwwilsonid=OPJOJTMUODLGHQA3DIKSFF4ADUNGIIV0
This passage talked about a student taught by Hans Hofmann. How Hofmann made influence to her, and then her opinion about Hofmann’s paintings.
Naves, Mario. “Exhibition Notes.” New Criterion. June1999:49.http://find.galegroup.com.
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This passage talked about a painting show about Hans Hofmann in the Metropo Litan Museum of Art. The author talked about his influence. He also talked abut his style.
Smee, Sebastian. “In teacher’s works, strokes of brilliance new exhibit focuses on Hofmann’s paintingsfrom1950.”Boston Globe.1 Feb 2009: N4. http://proquest.umi.com.ezproxy.bpl.
org/pqdlink?Ver=1&Exp=03082014&FMT=7&DID=1637497691&RQT=309http://find.galegroup.com.ezproxy.bpl.org/itx/infomark.do?prodId=EAIM&userGroupName=mlin_b_bpublic&version=1.0&type=retrieve&docId=A57798528&searchType=AdvancedSearchForm
Where Pollock bewitches, expending terrific energy on achieving images of unearthly calm; where de kooning’s twitching, slipping brushstrokes make different strains and speeds of feeling haltingly cohere, and where Rothko’s painting make fuzzy fields of warm and cool breathe with a kind of beautiful soul-ache, Hofmann’s paintings excite and impress, but rarely move. Despite his advanced age, he joined the so-called “Irascibles,” a group of maverick paintings who gained priceless publicity by writing a letter to New York’s Metroplitan Museum protesting their exdusion.
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